[ aws . mediaconvert ]
get-preset¶
Description¶
Retrieve the JSON for a specific preset.
See also: AWS API Documentation
See ‘aws help’ for descriptions of global parameters.
Synopsis¶
get-preset
--name <value>
[--cli-input-json | --cli-input-yaml]
[--generate-cli-skeleton <value>]
Options¶
--name (string)
The name of the preset.
--cli-input-json | --cli-input-yaml (string)
Reads arguments from the JSON string provided. The JSON string follows the format provided by --generate-cli-skeleton. If other arguments are provided on the command line, those values will override the JSON-provided values. It is not possible to pass arbitrary binary values using a JSON-provided value as the string will be taken literally. This may not be specified along with --cli-input-yaml.
--generate-cli-skeleton (string)
Prints a JSON skeleton to standard output without sending an API request. If provided with no value or the value input, prints a sample input JSON that can be used as an argument for --cli-input-json. Similarly, if provided yaml-input it will print a sample input YAML that can be used with --cli-input-yaml. If provided with the value output, it validates the command inputs and returns a sample output JSON for that command.
See ‘aws help’ for descriptions of global parameters.
Examples¶
To get details for a particular preset
The following get-preset example requests the JSON definition of the specified custom preset.
aws mediaconvert get-preset \
--name SimpleMP4 \
--endpoint-url https://abcd1234.mediaconvert.us-west-2.amazonaws.com
Output:
{
"Preset": {
"Description": "Creates basic MP4 file. No filtering or preproccessing.",
"Arn": "arn:aws:mediaconvert:us-west-2:123456789012:presets/SimpleMP4",
"LastUpdated": 1568843141,
"Name": "SimpleMP4",
"Settings": {
"ContainerSettings": {
"Mp4Settings": {
"FreeSpaceBox": "EXCLUDE",
"CslgAtom": "INCLUDE",
"MoovPlacement": "PROGRESSIVE_DOWNLOAD"
},
"Container": "MP4"
},
"AudioDescriptions": [
{
"LanguageCodeControl": "FOLLOW_INPUT",
"AudioTypeControl": "FOLLOW_INPUT",
"CodecSettings": {
"AacSettings": {
"RawFormat": "NONE",
"CodecProfile": "LC",
"AudioDescriptionBroadcasterMix": "NORMAL",
"SampleRate": 48000,
"Bitrate": 96000,
"RateControlMode": "CBR",
"Specification": "MPEG4",
"CodingMode": "CODING_MODE_2_0"
},
"Codec": "AAC"
}
}
],
"VideoDescription": {
"RespondToAfd": "NONE",
"TimecodeInsertion": "DISABLED",
"Sharpness": 50,
"ColorMetadata": "INSERT",
"CodecSettings": {
"H264Settings": {
"FramerateControl": "INITIALIZE_FROM_SOURCE",
"SpatialAdaptiveQuantization": "ENABLED",
"Softness": 0,
"Telecine": "NONE",
"CodecLevel": "AUTO",
"QualityTuningLevel": "SINGLE_PASS",
"UnregisteredSeiTimecode": "DISABLED",
"Slices": 1,
"Syntax": "DEFAULT",
"GopClosedCadence": 1,
"AdaptiveQuantization": "HIGH",
"EntropyEncoding": "CABAC",
"InterlaceMode": "PROGRESSIVE",
"ParControl": "INITIALIZE_FROM_SOURCE",
"NumberBFramesBetweenReferenceFrames": 2,
"GopSizeUnits": "FRAMES",
"RepeatPps": "DISABLED",
"CodecProfile": "MAIN",
"FieldEncoding": "PAFF",
"GopSize": 90.0,
"SlowPal": "DISABLED",
"SceneChangeDetect": "ENABLED",
"GopBReference": "DISABLED",
"RateControlMode": "CBR",
"FramerateConversionAlgorithm": "DUPLICATE_DROP",
"FlickerAdaptiveQuantization": "DISABLED",
"DynamicSubGop": "STATIC",
"MinIInterval": 0,
"TemporalAdaptiveQuantization": "ENABLED",
"Bitrate": 400000,
"NumberReferenceFrames": 3
},
"Codec": "H_264"
},
"AfdSignaling": "NONE",
"AntiAlias": "ENABLED",
"ScalingBehavior": "DEFAULT",
"DropFrameTimecode": "ENABLED"
}
},
"Type": "CUSTOM",
"CreatedAt": 1568841521
}
}
For more information, see Working with AWS Elemental MediaConvert Output Presets in the AWS Elemental MediaConvert User Guide.
Output¶
Preset -> (structure)
A preset is a collection of preconfigured media conversion settings that you want MediaConvert to apply to the output during the conversion process.
Arn -> (string)
An identifier for this resource that is unique within all of AWS.
Category -> (string)
An optional category you create to organize your presets.
CreatedAt -> (timestamp)
The timestamp in epoch seconds for preset creation.
Description -> (string)
An optional description you create for each preset.
LastUpdated -> (timestamp)
The timestamp in epoch seconds when the preset was last updated.
Name -> (string)
A name you create for each preset. Each name must be unique within your account.
Settings -> (structure)
Settings for preset
AudioDescriptions -> (list)
(AudioDescriptions) contains groups of audio encoding settings organized by audio codec. Include one instance of (AudioDescriptions) per output. (AudioDescriptions) can contain multiple groups of encoding settings.
(structure)
Description of audio output
AudioChannelTaggingSettings -> (structure)
When you mimic a multi-channel audio layout with multiple mono-channel tracks, you can tag each channel layout manually. For example, you would tag the tracks that contain your left, right, and center audio with Left (L), Right (R), and Center (C), respectively. When you don’t specify a value, MediaConvert labels your track as Center (C) by default. To use audio layout tagging, your output must be in a QuickTime (.mov) container; your audio codec must be AAC, WAV, or AIFF; and you must set up your audio track to have only one channel.
ChannelTag -> (string)
You can add a tag for this mono-channel audio track to mimic its placement in a multi-channel layout. For example, if this track is the left surround channel, choose Left surround (LS).
AudioNormalizationSettings -> (structure)
Advanced audio normalization settings. Ignore these settings unless you need to comply with a loudness standard.
Algorithm -> (string)
Choose one of the following audio normalization algorithms: ITU-R BS.1770-1: Ungated loudness. A measurement of ungated average loudness for an entire piece of content, suitable for measurement of short-form content under ATSC recommendation A/85. Supports up to 5.1 audio channels. ITU-R BS.1770-2: Gated loudness. A measurement of gated average loudness compliant with the requirements of EBU-R128. Supports up to 5.1 audio channels. ITU-R BS.1770-3: Modified peak. The same loudness measurement algorithm as 1770-2, with an updated true peak measurement. ITU-R BS.1770-4: Higher channel count. Allows for more audio channels than the other algorithms, including configurations such as 7.1.
AlgorithmControl -> (string)
When enabled the output audio is corrected using the chosen algorithm. If disabled, the audio will be measured but not adjusted.
CorrectionGateLevel -> (integer)
Content measuring above this level will be corrected to the target level. Content measuring below this level will not be corrected.
LoudnessLogging -> (string)
If set to LOG, log each output’s audio track loudness to a CSV file.
PeakCalculation -> (string)
If set to TRUE_PEAK, calculate and log the TruePeak for each output’s audio track loudness.
TargetLkfs -> (double)
When you use Audio normalization (AudioNormalizationSettings), optionally use this setting to specify a target loudness. If you don’t specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm (algorithm). If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.
AudioSourceName -> (string)
Specifies which audio data to use from each input. In the simplest case, specify an “Audio Selector”:#inputs-audio_selector by name based on its order within each input. For example if you specify “Audio Selector 3”, then the third audio selector will be used from each input. If an input does not have an “Audio Selector 3”, then the audio selector marked as “default” in that input will be used. If there is no audio selector marked as “default”, silence will be inserted for the duration of that input. Alternatively, an “Audio Selector Group”:#inputs-audio_selector_group name may be specified, with similar default/silence behavior. If no audio_source_name is specified, then “Audio Selector 1” will be chosen automatically.
AudioType -> (integer)
Applies only if Follow Input Audio Type is unchecked (false). A number between 0 and 255. The following are defined in ISO-IEC 13818-1: 0 = Undefined, 1 = Clean Effects, 2 = Hearing Impaired, 3 = Visually Impaired Commentary, 4-255 = Reserved.
AudioTypeControl -> (string)
When set to FOLLOW_INPUT, if the input contains an ISO 639 audio_type, then that value is passed through to the output. If the input contains no ISO 639 audio_type, the value in Audio Type is included in the output. Otherwise the value in Audio Type is included in the output. Note that this field and audioType are both ignored if audioDescriptionBroadcasterMix is set to BROADCASTER_MIXED_AD.
CodecSettings -> (structure)
Audio codec settings (CodecSettings) under (AudioDescriptions) contains the group of settings related to audio encoding. The settings in this group vary depending on the value that you choose for Audio codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AAC, AacSettings * MP2, Mp2Settings * MP3, Mp3Settings * WAV, WavSettings * AIFF, AiffSettings * AC3, Ac3Settings * EAC3, Eac3Settings * EAC3_ATMOS, Eac3AtmosSettings * VORBIS, VorbisSettings * OPUS, OpusSettings
AacSettings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings–VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to “VBR” or “CBR”. In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
AudioDescriptionBroadcasterMix -> (string)
Choose BROADCASTER_MIXED_AD when the input contains pre-mixed main audio + audio description (AD) as a stereo pair. The value for AudioType will be set to 3, which signals to downstream systems that this stream contains “broadcaster mixed AD”. Note that the input received by the encoder must contain pre-mixed audio; the encoder does not perform the mixing. When you choose BROADCASTER_MIXED_AD, the encoder ignores any values you provide in AudioType and FollowInputAudioType. Choose NORMAL when the input does not contain pre-mixed audio + audio description (AD). In this case, the encoder will use any values you provide for AudioType and FollowInputAudioType.
Bitrate -> (integer)
Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile (codecProfile), Bitrate control mode (codingMode), and Sample rate (sampleRate). Default values depend on Bitrate control mode and Profile.
CodecProfile -> (string)
AAC Profile.
CodingMode -> (string)
Mono (Audio Description), Mono, Stereo, or 5.1 channel layout. Valid values depend on rate control mode and profile. “1.0 - Audio Description (Receiver Mix)” setting receives a stereo description plus control track and emits a mono AAC encode of the description track, with control data emitted in the PES header as per ETSI TS 101 154 Annex E.
RateControlMode -> (string)
Rate Control Mode.
RawFormat -> (string)
Enables LATM/LOAS AAC output. Note that if you use LATM/LOAS AAC in an output, you must choose “No container” for the output container.
SampleRate -> (integer)
Sample rate in Hz. Valid values depend on rate control mode and profile.
Specification -> (string)
Use MPEG-2 AAC instead of MPEG-4 AAC audio for raw or MPEG-2 Transport Stream containers.
VbrQuality -> (string)
VBR Quality Level - Only used if rate_control_mode is VBR.
Ac3Settings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
Bitrate -> (integer)
Specify the average bitrate in bits per second. Valid bitrates depend on the coding mode.
BitstreamMode -> (string)
Specify the bitstream mode for the AC-3 stream that the encoder emits. For more information about the AC3 bitstream mode, see ATSC A/52-2012 (Annex E).
CodingMode -> (string)
Dolby Digital coding mode. Determines number of channels.
Dialnorm -> (integer)
Sets the dialnorm for the output. If blank and input audio is Dolby Digital, dialnorm will be passed through.
DynamicRangeCompressionProfile -> (string)
If set to FILM_STANDARD, adds dynamic range compression signaling to the output bitstream as defined in the Dolby Digital specification.
LfeFilter -> (string)
Applies a 120Hz lowpass filter to the LFE channel prior to encoding. Only valid with 3_2_LFE coding mode.
MetadataControl -> (string)
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this audio data. If audio was not supplied from one of these streams, then the static metadata settings will be used.
SampleRate -> (integer)
This value is always 48000. It represents the sample rate in Hz.
AiffSettings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
BitDepth -> (integer)
Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
Channels -> (integer)
Specify the number of channels in this output audio track. Valid values are 1 and even numbers up to 64. For example, 1, 2, 4, 6, and so on, up to 64.
SampleRate -> (integer)
Sample rate in hz.
Codec -> (string)
Type of Audio codec.
Eac3AtmosSettings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
Bitrate -> (integer)
Specify the average bitrate in bits per second. Valid values: 384k, 448k, 640k, 768k
BitstreamMode -> (string)
Specify the bitstream mode for the E-AC-3 stream that the encoder emits. For more information about the EAC3 bitstream mode, see ATSC A/52-2012 (Annex E).
CodingMode -> (string)
The coding mode for Dolby Digital Plus JOC (Atmos) is always 9.1.6 (CODING_MODE_9_1_6).
DialogueIntelligence -> (string)
Enable Dolby Dialogue Intelligence to adjust loudness based on dialogue analysis.
DynamicRangeCompressionLine -> (string)
Specify the absolute peak level for a signal with dynamic range compression.
DynamicRangeCompressionRf -> (string)
Specify how the service limits the audio dynamic range when compressing the audio.
LoRoCenterMixLevel -> (double)
Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0.
LoRoSurroundMixLevel -> (double)
Specify a value for the following Dolby Atmos setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel.
LtRtCenterMixLevel -> (double)
Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0.
LtRtSurroundMixLevel -> (double)
Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel.
MeteringMode -> (string)
Choose how the service meters the loudness of your audio.
SampleRate -> (integer)
This value is always 48000. It represents the sample rate in Hz.
SpeechThreshold -> (integer)
Specify the percentage of audio content that must be speech before the encoder uses the measured speech loudness as the overall program loudness.
StereoDownmix -> (string)
Choose how the service does stereo downmixing.
SurroundExMode -> (string)
Specify whether your input audio has an additional center rear surround channel matrix encoded into your left and right surround channels.
Eac3Settings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
AttenuationControl -> (string)
If set to ATTENUATE_3_DB, applies a 3 dB attenuation to the surround channels. Only used for 3/2 coding mode.
Bitrate -> (integer)
Specify the average bitrate in bits per second. Valid bitrates depend on the coding mode.
BitstreamMode -> (string)
Specify the bitstream mode for the E-AC-3 stream that the encoder emits. For more information about the EAC3 bitstream mode, see ATSC A/52-2012 (Annex E).
CodingMode -> (string)
Dolby Digital Plus coding mode. Determines number of channels.
DcFilter -> (string)
Activates a DC highpass filter for all input channels.
Dialnorm -> (integer)
Sets the dialnorm for the output. If blank and input audio is Dolby Digital Plus, dialnorm will be passed through.
DynamicRangeCompressionLine -> (string)
Specify the absolute peak level for a signal with dynamic range compression.
DynamicRangeCompressionRf -> (string)
Specify how the service limits the audio dynamic range when compressing the audio.
LfeControl -> (string)
When encoding 3/2 audio, controls whether the LFE channel is enabled
LfeFilter -> (string)
Applies a 120Hz lowpass filter to the LFE channel prior to encoding. Only valid with 3_2_LFE coding mode.
LoRoCenterMixLevel -> (double)
Specify a value for the following Dolby Digital Plus setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only center (loRoCenterMixLevel).
LoRoSurroundMixLevel -> (double)
Specify a value for the following Dolby Digital Plus setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only surround (loRoSurroundMixLevel).
LtRtCenterMixLevel -> (double)
Specify a value for the following Dolby Digital Plus setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total center (ltRtCenterMixLevel).
LtRtSurroundMixLevel -> (double)
Specify a value for the following Dolby Digital Plus setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total surround (ltRtSurroundMixLevel).
MetadataControl -> (string)
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this audio data. If audio was not supplied from one of these streams, then the static metadata settings will be used.
PassthroughControl -> (string)
When set to WHEN_POSSIBLE, input DD+ audio will be passed through if it is present on the input. this detection is dynamic over the life of the transcode. Inputs that alternate between DD+ and non-DD+ content will have a consistent DD+ output as the system alternates between passthrough and encoding.
PhaseControl -> (string)
Controls the amount of phase-shift applied to the surround channels. Only used for 3/2 coding mode.
SampleRate -> (integer)
This value is always 48000. It represents the sample rate in Hz.
StereoDownmix -> (string)
Choose how the service does stereo downmixing. This setting only applies if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Stereo downmix (Eac3StereoDownmix).
SurroundExMode -> (string)
When encoding 3/2 audio, sets whether an extra center back surround channel is matrix encoded into the left and right surround channels.
SurroundMode -> (string)
When encoding 2/0 audio, sets whether Dolby Surround is matrix encoded into the two channels.
Mp2Settings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
Bitrate -> (integer)
Specify the average bitrate in bits per second.
Channels -> (integer)
Set Channels to specify the number of channels in this output audio track. Choosing Mono in the console will give you 1 output channel; choosing Stereo will give you 2. In the API, valid values are 1 and 2.
SampleRate -> (integer)
Sample rate in hz.
Mp3Settings -> (structure)
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value MP3.
Bitrate -> (integer)
Specify the average bitrate in bits per second.
Channels -> (integer)
Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
RateControlMode -> (string)
Specify whether the service encodes this MP3 audio output with a constant bitrate (CBR) or a variable bitrate (VBR).
SampleRate -> (integer)
Sample rate in hz.
VbrQuality -> (integer)
Required when you set Bitrate control mode (rateControlMode) to VBR. Specify the audio quality of this MP3 output from 0 (highest quality) to 9 (lowest quality).
OpusSettings -> (structure)
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value OPUS.
Bitrate -> (integer)
Optional. Specify the average bitrate in bits per second. Valid values are multiples of 8000, from 32000 through 192000. The default value is 96000, which we recommend for quality and bandwidth.
Channels -> (integer)
Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
SampleRate -> (integer)
Optional. Sample rate in hz. Valid values are 16000, 24000, and 48000. The default value is 48000.
VorbisSettings -> (structure)
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value Vorbis.
Channels -> (integer)
Optional. Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2. The default value is 2.
SampleRate -> (integer)
Optional. Specify the audio sample rate in Hz. Valid values are 22050, 32000, 44100, and 48000. The default value is 48000.
VbrQuality -> (integer)
Optional. Specify the variable audio quality of this Vorbis output from -1 (lowest quality, ~45 kbit/s) to 10 (highest quality, ~500 kbit/s). The default value is 4 (~128 kbit/s). Values 5 and 6 are approximately 160 and 192 kbit/s, respectively.
WavSettings -> (structure)
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
BitDepth -> (integer)
Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
Channels -> (integer)
Specify the number of channels in this output audio track. Valid values are 1 and even numbers up to 64. For example, 1, 2, 4, 6, and so on, up to 64.
Format -> (string)
The service defaults to using RIFF for WAV outputs. If your output audio is likely to exceed 4 GB in file size, or if you otherwise need the extended support of the RF64 format, set your output WAV file format to RF64.
SampleRate -> (integer)
Sample rate in Hz.
CustomLanguageCode -> (string)
Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control (AudioLanguageCodeControl) to Use configured (USE_CONFIGURED). The service also uses your specified custom language code when you set Language code control (AudioLanguageCodeControl) to Follow input (FOLLOW_INPUT), but your input file doesn’t specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
LanguageCode -> (string)
Indicates the language of the audio output track. The ISO 639 language specified in the ‘Language Code’ drop down will be used when ‘Follow Input Language Code’ is not selected or when ‘Follow Input Language Code’ is selected but there is no ISO 639 language code specified by the input.
LanguageCodeControl -> (string)
Specify which source for language code takes precedence for this audio track. When you choose Follow input (FOLLOW_INPUT), the service uses the language code from the input track if it’s present. If there’s no languge code on the input track, the service uses the code that you specify in the setting Language code (languageCode or customLanguageCode). When you choose Use configured (USE_CONFIGURED), the service uses the language code that you specify.
RemixSettings -> (structure)
Advanced audio remixing settings.
ChannelMapping -> (structure)
Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don’t use both.
OutputChannels -> (list)
In your JSON job specification, include one child of OutputChannels for each audio channel that you want in your output. Each child should contain one instance of InputChannels or InputChannelsFineTune.
(structure)
OutputChannel mapping settings.
InputChannels -> (list)
Use this setting to specify your remix values when they are integers, such as -10, 0, or 4.
(integer)
InputChannelsFineTune -> (list)
Use this setting to specify your remix values when they have a decimal component, such as -10.312, 0.08, or 4.9. MediaConvert rounds your remixing values to the nearest thousandth.
(double)
ChannelsIn -> (integer)
Specify the number of audio channels from your input that you want to use in your output. With remixing, you might combine or split the data in these channels, so the number of channels in your final output might be different. If you are doing both input channel mapping and output channel mapping, the number of output channels in your input mapping must be the same as the number of input channels in your output mapping.
ChannelsOut -> (integer)
Specify the number of channels in this output after remixing. Valid values: 1, 2, 4, 6, 8… 64. (1 and even numbers to 64.) If you are doing both input channel mapping and output channel mapping, the number of output channels in your input mapping must be the same as the number of input channels in your output mapping.
StreamName -> (string)
Specify a label for this output audio stream. For example, “English”, “Director commentary”, or “track_2”. For streaming outputs, MediaConvert passes this information into destination manifests for display on the end-viewer’s player device. For outputs in other output groups, the service ignores this setting.
CaptionDescriptions -> (list)
Caption settings for this preset. There can be multiple caption settings in a single output.
(structure)
Caption Description for preset
CustomLanguageCode -> (string)
Specify the language for this captions output track. For most captions output formats, the encoder puts this language information in the output captions metadata. If your output captions format is DVB-Sub or Burn in, the encoder uses this language information when automatically selecting the font script for rendering the captions text. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
DestinationSettings -> (structure)
Specific settings required by destination type. Note that burnin_destination_settings are not available if the source of the caption data is Embedded or Teletext.
BurninDestinationSettings -> (structure)
Burn-In Destination Settings.
Alignment -> (string)
If no explicit x_position or y_position is provided, setting alignment to centered will place the captions at the bottom center of the output. Similarly, setting a left alignment will align captions to the bottom left of the output. If x and y positions are given in conjunction with the alignment parameter, the font will be justified (either left or centered) relative to those coordinates. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
BackgroundColor -> (string)
Specifies the color of the rectangle behind the captions. All burn-in and DVB-Sub font settings must match.
BackgroundOpacity -> (integer)
Specifies the opacity of the background rectangle. 255 is opaque; 0 is transparent. Leaving this parameter blank is equivalent to setting it to 0 (transparent). All burn-in and DVB-Sub font settings must match.
FontColor -> (string)
Specifies the color of the burned-in captions. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
FontOpacity -> (integer)
Specifies the opacity of the burned-in captions. 255 is opaque; 0 is transparent. All burn-in and DVB-Sub font settings must match.
FontResolution -> (integer)
Font resolution in DPI (dots per inch); default is 96 dpi. All burn-in and DVB-Sub font settings must match.
FontScript -> (string)
Provide the font script, using an ISO 15924 script code, if the LanguageCode is not sufficient for determining the script type. Where LanguageCode or CustomLanguageCode is sufficient, use “AUTOMATIC” or leave unset. This is used to help determine the appropriate font for rendering burn-in captions.
FontSize -> (integer)
A positive integer indicates the exact font size in points. Set to 0 for automatic font size selection. All burn-in and DVB-Sub font settings must match.
OutlineColor -> (string)
Specifies font outline color. This option is not valid for source captions that are either 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
OutlineSize -> (integer)
Specifies font outline size in pixels. This option is not valid for source captions that are either 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
ShadowColor -> (string)
Specifies the color of the shadow cast by the captions. All burn-in and DVB-Sub font settings must match.
ShadowOpacity -> (integer)
Specifies the opacity of the shadow. 255 is opaque; 0 is transparent. Leaving this parameter blank is equivalent to setting it to 0 (transparent). All burn-in and DVB-Sub font settings must match.
ShadowXOffset -> (integer)
Specifies the horizontal offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels to the left. All burn-in and DVB-Sub font settings must match.
ShadowYOffset -> (integer)
Specifies the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. All burn-in and DVB-Sub font settings must match.
TeletextSpacing -> (string)
Only applies to jobs with input captions in Teletext or STL formats. Specify whether the spacing between letters in your captions is set by the captions grid or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read if the captions are closed caption.
XPosition -> (integer)
Specifies the horizontal position of the caption relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
YPosition -> (integer)
Specifies the vertical position of the caption relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
DestinationType -> (string)
Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Other options are embedded with SCTE-20, burn-in, DVB-sub, IMSC, SCC, SRT, teletext, TTML, and web-VTT. If you are using SCTE-20, choose SCTE-20 plus embedded (SCTE20_PLUS_EMBEDDED) to create an output that complies with the SCTE-43 spec. To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20 (EMBEDDED_PLUS_SCTE20).
DvbSubDestinationSettings -> (structure)
DVB-Sub Destination Settings
Alignment -> (string)
If no explicit x_position or y_position is provided, setting alignment to centered will place the captions at the bottom center of the output. Similarly, setting a left alignment will align captions to the bottom left of the output. If x and y positions are given in conjunction with the alignment parameter, the font will be justified (either left or centered) relative to those coordinates. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
BackgroundColor -> (string)
Specifies the color of the rectangle behind the captions. All burn-in and DVB-Sub font settings must match.
BackgroundOpacity -> (integer)
Specifies the opacity of the background rectangle. 255 is opaque; 0 is transparent. Leaving this parameter blank is equivalent to setting it to 0 (transparent). All burn-in and DVB-Sub font settings must match.
FontColor -> (string)
Specifies the color of the burned-in captions. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
FontOpacity -> (integer)
Specifies the opacity of the burned-in captions. 255 is opaque; 0 is transparent. All burn-in and DVB-Sub font settings must match.
FontResolution -> (integer)
Font resolution in DPI (dots per inch); default is 96 dpi. All burn-in and DVB-Sub font settings must match.
FontScript -> (string)
Provide the font script, using an ISO 15924 script code, if the LanguageCode is not sufficient for determining the script type. Where LanguageCode or CustomLanguageCode is sufficient, use “AUTOMATIC” or leave unset. This is used to help determine the appropriate font for rendering DVB-Sub captions.
FontSize -> (integer)
A positive integer indicates the exact font size in points. Set to 0 for automatic font size selection. All burn-in and DVB-Sub font settings must match.
OutlineColor -> (string)
Specifies font outline color. This option is not valid for source captions that are either 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
OutlineSize -> (integer)
Specifies font outline size in pixels. This option is not valid for source captions that are either 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
ShadowColor -> (string)
Specifies the color of the shadow cast by the captions. All burn-in and DVB-Sub font settings must match.
ShadowOpacity -> (integer)
Specifies the opacity of the shadow. 255 is opaque; 0 is transparent. Leaving this parameter blank is equivalent to setting it to 0 (transparent). All burn-in and DVB-Sub font settings must match.
ShadowXOffset -> (integer)
Specifies the horizontal offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels to the left. All burn-in and DVB-Sub font settings must match.
ShadowYOffset -> (integer)
Specifies the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. All burn-in and DVB-Sub font settings must match.
SubtitlingType -> (string)
Specify whether your DVB subtitles are standard or for hearing impaired. Choose hearing impaired if your subtitles include audio descriptions and dialogue. Choose standard if your subtitles include only dialogue.
TeletextSpacing -> (string)
Only applies to jobs with input captions in Teletext or STL formats. Specify whether the spacing between letters in your captions is set by the captions grid or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read if the captions are closed caption.
XPosition -> (integer)
Specifies the horizontal position of the caption relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
YPosition -> (integer)
Specifies the vertical position of the caption relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. This option is not valid for source captions that are STL, 608/embedded or teletext. These source settings are already pre-defined by the caption stream. All burn-in and DVB-Sub font settings must match.
EmbeddedDestinationSettings -> (structure)
Settings specific to embedded/ancillary caption outputs, including 608/708 Channel destination number.
Destination608ChannelNumber -> (integer)
Ignore this setting unless your input captions are SCC format and your output captions are embedded in the video stream. Specify a CC number for each captions channel in this output. If you have two channels, choose CC numbers that aren’t in the same field. For example, choose 1 and 3. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
Destination708ServiceNumber -> (integer)
Ignore this setting unless your input captions are SCC format and you want both 608 and 708 captions embedded in your output stream. Optionally, specify the 708 service number for each output captions channel. Choose a different number for each channel. To use this setting, also set Force 608 to 708 upconvert (Convert608To708) to Upconvert (UPCONVERT) in your input captions selector settings. If you choose to upconvert but don’t specify a 708 service number, MediaConvert uses the number that you specify for CC channel number (destination608ChannelNumber) for the 708 service number. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
ImscDestinationSettings -> (structure)
Settings specific to IMSC caption outputs.
StylePassthrough -> (string)
Keep this setting enabled to have MediaConvert use the font style and position information from the captions source in the output. This option is available only when your input captions are IMSC, SMPTE-TT, or TTML. Disable this setting for simplified output captions.
SccDestinationSettings -> (structure)
Settings for SCC caption output.
Framerate -> (string)
Set Framerate (SccDestinationFramerate) to make sure that the captions and the video are synchronized in the output. Specify a frame rate that matches the frame rate of the associated video. If the video frame rate is 29.97, choose 29.97 dropframe (FRAMERATE_29_97_DROPFRAME) only if the video has video_insertion=true and drop_frame_timecode=true; otherwise, choose 29.97 non-dropframe (FRAMERATE_29_97_NON_DROPFRAME).
TeletextDestinationSettings -> (structure)
Settings for Teletext caption output
PageNumber -> (string)
Set pageNumber to the Teletext page number for the destination captions for this output. This value must be a three-digit hexadecimal string; strings ending in -FF are invalid. If you are passing through the entire set of Teletext data, do not use this field.
PageTypes -> (list)
Specify the page types for this Teletext page. If you don’t specify a value here, the service sets the page type to the default value Subtitle (PAGE_TYPE_SUBTITLE). If you pass through the entire set of Teletext data, don’t use this field. When you pass through a set of Teletext pages, your output has the same page types as your input.
(string)
A page type as defined in the standard ETSI EN 300 468, Table 94
TtmlDestinationSettings -> (structure)
Settings specific to TTML caption outputs, including Pass style information (TtmlStylePassthrough).
StylePassthrough -> (string)
Pass through style and position information from a TTML-like input source (TTML, SMPTE-TT) to the TTML output.
LanguageCode -> (string)
Specify the language of this captions output track. For most captions output formats, the encoder puts this language information in the output captions metadata. If your output captions format is DVB-Sub or Burn in, the encoder uses this language information to choose the font language for rendering the captions text.
LanguageDescription -> (string)
Specify a label for this set of output captions. For example, “English”, “Director commentary”, or “track_2”. For streaming outputs, MediaConvert passes this information into destination manifests for display on the end-viewer’s player device. For outputs in other output groups, the service ignores this setting.
ContainerSettings -> (structure)
Container specific settings.
CmfcSettings -> (structure)
Settings for MP4 segments in CMAF
AudioDuration -> (string)
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
IFrameOnlyManifest -> (string)
Choose Include (INCLUDE) to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don’t need the I-frame only child manifest, keep the default value Exclude (EXCLUDE).
Scte35Esam -> (string)
Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
Scte35Source -> (string)
Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don’t want those SCTE-35 markers in this output.
Container -> (string)
Container for this output. Some containers require a container settings object. If not specified, the default object will be created.
F4vSettings -> (structure)
Settings for F4v container
MoovPlacement -> (string)
If set to PROGRESSIVE_DOWNLOAD, the MOOV atom is relocated to the beginning of the archive as required for progressive downloading. Otherwise it is placed normally at the end.
M2tsSettings -> (structure)
MPEG-2 TS container settings. These apply to outputs in a File output group when the output’s container (ContainerType) is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
AudioBufferModel -> (string)
Selects between the DVB and ATSC buffer models for Dolby Digital audio.
AudioDuration -> (string)
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
AudioFramesPerPes -> (integer)
The number of audio frames to insert for each PES packet.
AudioPids -> (list)
Specify the packet identifiers (PIDs) for any elementary audio streams you include in this output. Specify multiple PIDs as a JSON array. Default is the range 482-492.
(integer)
Bitrate -> (integer)
Specify the output bitrate of the transport stream in bits per second. Setting to 0 lets the muxer automatically determine the appropriate bitrate. Other common values are 3750000, 7500000, and 15000000.
BufferModel -> (string)
Controls what buffer model to use for accurate interleaving. If set to MULTIPLEX, use multiplex buffer model. If set to NONE, this can lead to lower latency, but low-memory devices may not be able to play back the stream without interruptions.
DvbNitSettings -> (structure)
Inserts DVB Network Information Table (NIT) at the specified table repetition interval.
NetworkId -> (integer)
The numeric value placed in the Network Information Table (NIT).
NetworkName -> (string)
The network name text placed in the network_name_descriptor inside the Network Information Table. Maximum length is 256 characters.
NitInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
DvbSdtSettings -> (structure)
Inserts DVB Service Description Table (NIT) at the specified table repetition interval.
OutputSdt -> (string)
Selects method of inserting SDT information into output stream. “Follow input SDT” copies SDT information from input stream to output stream. “Follow input SDT if present” copies SDT information from input stream to output stream if SDT information is present in the input, otherwise it will fall back on the user-defined values. Enter “SDT Manually” means user will enter the SDT information. “No SDT” means output stream will not contain SDT information.
SdtInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
ServiceName -> (string)
The service name placed in the service_descriptor in the Service Description Table. Maximum length is 256 characters.
ServiceProviderName -> (string)
The service provider name placed in the service_descriptor in the Service Description Table. Maximum length is 256 characters.
DvbSubPids -> (list)
Specify the packet identifiers (PIDs) for DVB subtitle data included in this output. Specify multiple PIDs as a JSON array. Default is the range 460-479.
(integer)
DvbTdtSettings -> (structure)
Inserts DVB Time and Date Table (TDT) at the specified table repetition interval.
TdtInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
DvbTeletextPid -> (integer)
Specify the packet identifier (PID) for DVB teletext data you include in this output. Default is 499.
EbpAudioInterval -> (string)
When set to VIDEO_AND_FIXED_INTERVALS, audio EBP markers will be added to partitions 3 and 4. The interval between these additional markers will be fixed, and will be slightly shorter than the video EBP marker interval. When set to VIDEO_INTERVAL, these additional markers will not be inserted. Only applicable when EBP segmentation markers are is selected (segmentationMarkers is EBP or EBP_LEGACY).
EbpPlacement -> (string)
Selects which PIDs to place EBP markers on. They can either be placed only on the video PID, or on both the video PID and all audio PIDs. Only applicable when EBP segmentation markers are is selected (segmentationMarkers is EBP or EBP_LEGACY).
EsRateInPes -> (string)
Controls whether to include the ES Rate field in the PES header.
ForceTsVideoEbpOrder -> (string)
Keep the default value (DEFAULT) unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers. To correct this problem, set this value to Force (FORCE).
FragmentTime -> (double)
The length, in seconds, of each fragment. Only used with EBP markers.
MaxPcrInterval -> (integer)
Specify the maximum time, in milliseconds, between Program Clock References (PCRs) inserted into the transport stream.
MinEbpInterval -> (integer)
When set, enforces that Encoder Boundary Points do not come within the specified time interval of each other by looking ahead at input video. If another EBP is going to come in within the specified time interval, the current EBP is not emitted, and the segment is “stretched” to the next marker. The lookahead value does not add latency to the system. The Live Event must be configured elsewhere to create sufficient latency to make the lookahead accurate.
NielsenId3 -> (string)
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag will be inserted in the output.
NullPacketBitrate -> (double)
Value in bits per second of extra null packets to insert into the transport stream. This can be used if a downstream encryption system requires periodic null packets.
PatInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
PcrControl -> (string)
When set to PCR_EVERY_PES_PACKET, a Program Clock Reference value is inserted for every Packetized Elementary Stream (PES) header. This is effective only when the PCR PID is the same as the video or audio elementary stream.
PcrPid -> (integer)
Specify the packet identifier (PID) for the program clock reference (PCR) in this output. If you do not specify a value, the service will use the value for Video PID (VideoPid).
PmtInterval -> (integer)
Specify the number of milliseconds between instances of the program map table (PMT) in the output transport stream.
PmtPid -> (integer)
Specify the packet identifier (PID) for the program map table (PMT) itself. Default is 480.
PrivateMetadataPid -> (integer)
Specify the packet identifier (PID) of the private metadata stream. Default is 503.
ProgramNumber -> (integer)
Use Program number (programNumber) to specify the program number used in the program map table (PMT) for this output. Default is 1. Program numbers and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
RateMode -> (string)
When set to CBR, inserts null packets into transport stream to fill specified bitrate. When set to VBR, the bitrate setting acts as the maximum bitrate, but the output will not be padded up to that bitrate.
Scte35Esam -> (structure)
Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
Scte35EsamPid -> (integer)
Packet Identifier (PID) of the SCTE-35 stream in the transport stream generated by ESAM.
Scte35Pid -> (integer)
Specify the packet identifier (PID) of the SCTE-35 stream in the transport stream.
Scte35Source -> (string)
For SCTE-35 markers from your input– Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don’t want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document– Choose None (NONE). Also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml). Also enable ESAM SCTE-35 (include the property scte35Esam).
SegmentationMarkers -> (string)
Inserts segmentation markers at each segmentation_time period. rai_segstart sets the Random Access Indicator bit in the adaptation field. rai_adapt sets the RAI bit and adds the current timecode in the private data bytes. psi_segstart inserts PAT and PMT tables at the start of segments. ebp adds Encoder Boundary Point information to the adaptation field as per OpenCable specification OC-SP-EBP-I01-130118. ebp_legacy adds Encoder Boundary Point information to the adaptation field using a legacy proprietary format.
SegmentationStyle -> (string)
The segmentation style parameter controls how segmentation markers are inserted into the transport stream. With avails, it is possible that segments may be truncated, which can influence where future segmentation markers are inserted. When a segmentation style of “reset_cadence” is selected and a segment is truncated due to an avail, we will reset the segmentation cadence. This means the subsequent segment will have a duration of of $segmentation_time seconds. When a segmentation style of “maintain_cadence” is selected and a segment is truncated due to an avail, we will not reset the segmentation cadence. This means the subsequent segment will likely be truncated as well. However, all segments after that will have a duration of $segmentation_time seconds. Note that EBP lookahead is a slight exception to this rule.
SegmentationTime -> (double)
Specify the length, in seconds, of each segment. Required unless markers is set to _none_.
TimedMetadataPid -> (integer)
Specify the packet identifier (PID) for timed metadata in this output. Default is 502.
TransportStreamId -> (integer)
Specify the ID for the transport stream itself in the program map table for this output. Transport stream IDs and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
VideoPid -> (integer)
Specify the packet identifier (PID) of the elementary video stream in the transport stream.
M3u8Settings -> (structure)
Settings for TS segments in HLS
AudioDuration -> (string)
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
AudioFramesPerPes -> (integer)
The number of audio frames to insert for each PES packet.
AudioPids -> (list)
Packet Identifier (PID) of the elementary audio stream(s) in the transport stream. Multiple values are accepted, and can be entered in ranges and/or by comma separation.
(integer)
NielsenId3 -> (string)
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag will be inserted in the output.
PatInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
PcrControl -> (string)
When set to PCR_EVERY_PES_PACKET a Program Clock Reference value is inserted for every Packetized Elementary Stream (PES) header. This parameter is effective only when the PCR PID is the same as the video or audio elementary stream.
PcrPid -> (integer)
Packet Identifier (PID) of the Program Clock Reference (PCR) in the transport stream. When no value is given, the encoder will assign the same value as the Video PID.
PmtInterval -> (integer)
The number of milliseconds between instances of this table in the output transport stream.
PmtPid -> (integer)
Packet Identifier (PID) for the Program Map Table (PMT) in the transport stream.
PrivateMetadataPid -> (integer)
Packet Identifier (PID) of the private metadata stream in the transport stream.
ProgramNumber -> (integer)
The value of the program number field in the Program Map Table.
Scte35Pid -> (integer)
Packet Identifier (PID) of the SCTE-35 stream in the transport stream.
Scte35Source -> (string)
For SCTE-35 markers from your input– Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don’t want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document– Choose None (NONE) if you don’t want manifest conditioning. Choose Passthrough (PASSTHROUGH) and choose Ad markers (adMarkers) if you do want manifest conditioning. In both cases, also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml).
TimedMetadata -> (string)
Applies only to HLS outputs. Use this setting to specify whether the service inserts the ID3 timed metadata from the input in this output.
TimedMetadataPid -> (integer)
Packet Identifier (PID) of the timed metadata stream in the transport stream.
TransportStreamId -> (integer)
The value of the transport stream ID field in the Program Map Table.
VideoPid -> (integer)
Packet Identifier (PID) of the elementary video stream in the transport stream.
MovSettings -> (structure)
Settings for MOV Container.
ClapAtom -> (string)
When enabled, include ‘clap’ atom if appropriate for the video output settings.
CslgAtom -> (string)
When enabled, file composition times will start at zero, composition times in the ‘ctts’ (composition time to sample) box for B-frames will be negative, and a ‘cslg’ (composition shift least greatest) box will be included per 14496-1 amendment 1. This improves compatibility with Apple players and tools.
Mpeg2FourCCControl -> (string)
When set to XDCAM, writes MPEG2 video streams into the QuickTime file using XDCAM fourcc codes. This increases compatibility with Apple editors and players, but may decrease compatibility with other players. Only applicable when the video codec is MPEG2.
PaddingControl -> (string)
To make this output compatible with Omenon, keep the default value, OMNEON. Unless you need Omneon compatibility, set this value to NONE. When you keep the default value, OMNEON, MediaConvert increases the length of the edit list atom. This might cause file rejections when a recipient of the output file doesn’t expct this extra padding.
Reference -> (string)
Always keep the default value (SELF_CONTAINED) for this setting.
Mp4Settings -> (structure)
Settings for MP4 container. You can create audio-only AAC outputs with this container.
AudioDuration -> (string)
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
CslgAtom -> (string)
When enabled, file composition times will start at zero, composition times in the ‘ctts’ (composition time to sample) box for B-frames will be negative, and a ‘cslg’ (composition shift least greatest) box will be included per 14496-1 amendment 1. This improves compatibility with Apple players and tools.
CttsVersion -> (integer)
Ignore this setting unless compliance to the CTTS box version specification matters in your workflow. Specify a value of 1 to set your CTTS box version to 1 and make your output compliant with the specification. When you specify a value of 1, you must also set CSLG atom (cslgAtom) to the value INCLUDE. Keep the default value 0 to set your CTTS box version to 0. This can provide backward compatibility for some players and packagers.
FreeSpaceBox -> (string)
Inserts a free-space box immediately after the moov box.
MoovPlacement -> (string)
If set to PROGRESSIVE_DOWNLOAD, the MOOV atom is relocated to the beginning of the archive as required for progressive downloading. Otherwise it is placed normally at the end.
Mp4MajorBrand -> (string)
Overrides the “Major Brand” field in the output file. Usually not necessary to specify.
MpdSettings -> (structure)
Settings for MP4 segments in DASH
AccessibilityCaptionHints -> (string)
Optional. Choose Include (INCLUDE) to have MediaConvert mark up your DASH manifest with elements for embedded 608 captions. This markup isn’t generally required, but some video players require it to discover and play embedded 608 captions. Keep the default value, Exclude (EXCLUDE), to leave these elements out. When you enable this setting, this is the markup that MediaConvert includes in your manifest:
AudioDuration -> (string)
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
CaptionContainerType -> (string)
Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw (RAW) for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 (FRAGMENTED_MP4) for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
Scte35Esam -> (string)
Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
Scte35Source -> (string)
Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don’t want those SCTE-35 markers in this output.
MxfSettings -> (structure)
MXF settings
AfdSignaling -> (string)
Optional. When you have AFD signaling set up in your output video stream, use this setting to choose whether to also include it in the MXF wrapper. Choose Don’t copy (NO_COPY) to exclude AFD signaling from the MXF wrapper. Choose Copy from video stream (COPY_FROM_VIDEO) to copy the AFD values from the video stream for this output to the MXF wrapper. Regardless of which option you choose, the AFD values remain in the video stream. Related settings: To set up your output to include or exclude AFD values, see AfdSignaling, under VideoDescription. On the console, find AFD signaling under the output’s video encoding settings.
Profile -> (string)
Specify the MXF profile, also called shim, for this output. When you choose Auto, MediaConvert chooses a profile based on the video codec and resolution. For a list of codecs supported with each MXF profile, see https://docs.aws.amazon.com/mediaconvert/latest/ug/codecs-supported-with-each-mxf-profile.html. For more information about the automatic selection behavior, see https://docs.aws.amazon.com/mediaconvert/latest/ug/default-automatic-selection-of-mxf-profiles.html.
VideoDescription -> (structure)
(VideoDescription) contains a group of video encoding settings. The specific video settings depend on the video codec that you choose when you specify a value for Video codec (codec). Include one instance of (VideoDescription) per output.
AfdSignaling -> (string)
This setting only applies to H.264, H.265, and MPEG2 outputs. Use Insert AFD signaling (AfdSignaling) to specify whether the service includes AFD values in the output video data and what those values are. * Choose None to remove all AFD values from this output. * Choose Fixed to ignore input AFD values and instead encode the value specified in the job. * Choose Auto to calculate output AFD values based on the input AFD scaler data.
AntiAlias -> (string)
The anti-alias filter is automatically applied to all outputs. The service no longer accepts the value DISABLED for AntiAlias. If you specify that in your job, the service will ignore the setting.
CodecSettings -> (structure)
Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings
Av1Settings -> (structure)
Required when you set Codec, under VideoDescription>CodecSettings to the value AV1.
AdaptiveQuantization -> (string)
Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization (spatialAdaptiveQuantization).
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopSize -> (double)
Specify the GOP length (keyframe interval) in frames. With AV1, MediaConvert doesn’t support GOP length in seconds. This value must be greater than zero and preferably equal to 1 + ((numberBFrames + 1) * x), where x is an integer value.
MaxBitrate -> (integer)
Maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. Required when Rate control mode is QVBR.
NumberBFramesBetweenReferenceFrames -> (integer)
Specify the number of B-frames. With AV1, MediaConvert supports only 7 or 15.
QvbrSettings -> (structure)
Settings for quality-defined variable bitrate encoding with the AV1 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don’t define Rate control mode.
QvbrQualityLevel -> (integer)
Required when you use QVBR rate control mode. That is, when you specify qvbrSettings within av1Settings. Specify the general target quality level for this output, from 1 to 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
QvbrQualityLevelFineTune -> (double)
Optional. Specify a value here to set the QVBR quality to a level that is between whole numbers. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33. MediaConvert rounds your QVBR quality level to the nearest third of a whole number. For example, if you set qvbrQualityLevel to 7 and you set qvbrQualityLevelFineTune to .25, your actual QVBR quality level is 7.33.
RateControlMode -> (string)
‘With AV1 outputs, for rate control mode, MediaConvert supports only quality-defined variable bitrate (QVBR). You can’’t use CBR or VBR.’
Slices -> (integer)
Specify the number of slices per picture. This value must be 1, 2, 4, 8, 16, or 32. For progressive pictures, this value must be less than or equal to the number of macroblock rows. For interlaced pictures, this value must be less than or equal to half the number of macroblock rows.
SpatialAdaptiveQuantization -> (string)
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
AvcIntraSettings -> (structure)
Required when you set your output video codec to AVC-Intra. For more information about the AVC-I settings, see the relevant specification. For detailed information about SD and HD in AVC-I, see https://ieeexplore.ieee.org/document/7290936. For information about 4K/2K in AVC-I, see https://pro-av.panasonic.net/en/avc-ultra/AVC-ULTRAoverview.pdf.
AvcIntraClass -> (string)
Specify the AVC-Intra class of your output. The AVC-Intra class selection determines the output video bit rate depending on the frame rate of the output. Outputs with higher class values have higher bitrates and improved image quality. Note that for Class 4K/2K, MediaConvert supports only 4:2:2 chroma subsampling.
AvcIntraUhdSettings -> (structure)
Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS_4K_2K). When you set AVC-Intra class to a different value, this object isn’t allowed.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass (MULTI_PASS), your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass (SINGLE_PASS), your encoding time is faster. The default behavior is Single-pass (SINGLE_PASS).
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
InterlaceMode -> (string)
Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that’s interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
Telecine -> (string)
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
Codec -> (string)
Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec.
FrameCaptureSettings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
FramerateDenominator -> (integer)
Frame capture will encode the first frame of the output stream, then one frame every framerateDenominator/framerateNumerator seconds. For example, settings of framerateNumerator = 1 and framerateDenominator = 3 (a rate of 1/3 frame per second) will capture the first frame, then 1 frame every 3s. Files will be named as filename.n.jpg where n is the 0-based sequence number of each Capture.
FramerateNumerator -> (integer)
Frame capture will encode the first frame of the output stream, then one frame every framerateDenominator/framerateNumerator seconds. For example, settings of framerateNumerator = 1 and framerateDenominator = 3 (a rate of 1/3 frame per second) will capture the first frame, then 1 frame every 3s. Files will be named as filename.NNNNNNN.jpg where N is the 0-based frame sequence number zero padded to 7 decimal places.
MaxCaptures -> (integer)
Maximum number of captures (encoded jpg output files).
Quality -> (integer)
JPEG Quality - a higher value equals higher quality.
H264Settings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
AdaptiveQuantization -> (string)
Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set H264AdaptiveQuantization to a value other than Auto (AUTO). Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don’t want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization (H264AdaptiveQuantization) to Off (OFF). Related settings: The value that you choose here applies to the following settings: H264FlickerAdaptiveQuantization, H264SpatialAdaptiveQuantization, and H264TemporalAdaptiveQuantization.
Bitrate -> (integer)
Specify the average bitrate in bits per second. Required for VBR and CBR. For MS Smooth outputs, bitrates must be unique when rounded down to the nearest multiple of 1000.
CodecLevel -> (string)
Specify an H.264 level that is consistent with your output video settings. If you aren’t sure what level to specify, choose Auto (AUTO).
CodecProfile -> (string)
H.264 Profile. High 4:2:2 and 10-bit profiles are only available with the AVC-I License.
DynamicSubGop -> (string)
Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames (numberBFramesBetweenReferenceFrames).
EntropyEncoding -> (string)
Entropy encoding mode. Use CABAC (must be in Main or High profile) or CAVLC.
FieldEncoding -> (string)
Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs. Choose Force field (FORCE_FIELD) to disable PAFF encoding and create separate interlaced fields.
FlickerAdaptiveQuantization -> (string)
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264FlickerAdaptiveQuantization is Disabled (DISABLED). Change this value to Enabled (ENABLED) to reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. To manually enable or disable H264FlickerAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopBReference -> (string)
If enable, use reference B frames for GOP structures that have B frames > 1.
GopClosedCadence -> (integer)
Frequency of closed GOPs. In streaming applications, it is recommended that this be set to 1 so a decoder joining mid-stream will receive an IDR frame as quickly as possible. Setting this value to 0 will break output segmenting.
GopSize -> (double)
GOP Length (keyframe interval) in frames or seconds. Must be greater than zero.
GopSizeUnits -> (string)
Indicates if the GOP Size in H264 is specified in frames or seconds. If seconds the system will convert the GOP Size into a frame count at run time.
HrdBufferInitialFillPercentage -> (integer)
Percentage of the buffer that should initially be filled (HRD buffer model).
HrdBufferSize -> (integer)
Size of buffer (HRD buffer model) in bits. For example, enter five megabits as 5000000.
InterlaceMode -> (string)
Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that’s interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
MaxBitrate -> (integer)
Maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. Required when Rate control mode is QVBR.
MinIInterval -> (integer)
Enforces separation between repeated (cadence) I-frames and I-frames inserted by Scene Change Detection. If a scene change I-frame is within I-interval frames of a cadence I-frame, the GOP is shrunk and/or stretched to the scene change I-frame. GOP stretch requires enabling lookahead as well as setting I-interval. The normal cadence resumes for the next GOP. This setting is only used when Scene Change Detect is enabled. Note: Maximum GOP stretch = GOP size + Min-I-interval - 1
NumberBFramesBetweenReferenceFrames -> (integer)
Number of B-frames between reference frames.
NumberReferenceFrames -> (integer)
Number of reference frames to use. The encoder may use more than requested if using B-frames and/or interlaced encoding.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
QvbrSettings -> (structure)
Settings for quality-defined variable bitrate encoding with the H.264 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don’t define Rate control mode.
MaxAverageBitrate -> (integer)
Use this setting only when Rate control mode is QVBR and Quality tuning level is Multi-pass HQ. For Max average bitrate values suited to the complexity of your input video, the service limits the average bitrate of the video part of this output to the value that you choose. That is, the total size of the video element is less than or equal to the value you set multiplied by the number of seconds of encoded output.
QvbrQualityLevel -> (integer)
Required when you use QVBR rate control mode. That is, when you specify qvbrSettings within h264Settings. Specify the general target quality level for this output, from 1 to 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
QvbrQualityLevelFineTune -> (double)
Optional. Specify a value here to set the QVBR quality to a level that is between whole numbers. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33. MediaConvert rounds your QVBR quality level to the nearest third of a whole number. For example, if you set qvbrQualityLevel to 7 and you set qvbrQualityLevelFineTune to .25, your actual QVBR quality level is 7.33.
RateControlMode -> (string)
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or quality-defined variable bitrate (QVBR).
RepeatPps -> (string)
Places a PPS header on each encoded picture, even if repeated.
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SceneChangeDetect -> (string)
Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
Slices -> (integer)
Number of slices per picture. Must be less than or equal to the number of macroblock rows for progressive pictures, and less than or equal to half the number of macroblock rows for interlaced pictures.
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
Softness -> (integer)
Ignore this setting unless you need to comply with a specification that requires a specific value. If you don’t have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
SpatialAdaptiveQuantization -> (string)
Only use this setting when you change the default value, Auto (AUTO), for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264SpatialAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to set H264SpatialAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (H264AdaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher. To manually enable or disable H264SpatialAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
Syntax -> (string)
Produces a bitstream compliant with SMPTE RP-2027.
Telecine -> (string)
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
TemporalAdaptiveQuantization -> (string)
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264TemporalAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren’t moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn’t have moving objects with sharp edges, such as sports athletes’ faces, you might choose to set H264TemporalAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization). To manually enable or disable H264TemporalAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
UnregisteredSeiTimecode -> (string)
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
H265Settings -> (structure)
Settings for H265 codec
AdaptiveQuantization -> (string)
Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Flicker adaptive quantization (flickerAdaptiveQuantization), Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
AlternateTransferFunctionSei -> (string)
Enables Alternate Transfer Function SEI message for outputs using Hybrid Log Gamma (HLG) Electro-Optical Transfer Function (EOTF).
Bitrate -> (integer)
Specify the average bitrate in bits per second. Required for VBR and CBR. For MS Smooth outputs, bitrates must be unique when rounded down to the nearest multiple of 1000.
CodecLevel -> (string)
H.265 Level.
CodecProfile -> (string)
Represents the Profile and Tier, per the HEVC (H.265) specification. Selections are grouped as [Profile] / [Tier], so “Main/High” represents Main Profile with High Tier. 4:2:2 profiles are only available with the HEVC 4:2:2 License.
DynamicSubGop -> (string)
Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames (numberBFramesBetweenReferenceFrames).
FlickerAdaptiveQuantization -> (string)
Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set adaptiveQuantization to a value other than Off (OFF).
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopBReference -> (string)
If enable, use reference B frames for GOP structures that have B frames > 1.
GopClosedCadence -> (integer)
Frequency of closed GOPs. In streaming applications, it is recommended that this be set to 1 so a decoder joining mid-stream will receive an IDR frame as quickly as possible. Setting this value to 0 will break output segmenting.
GopSize -> (double)
GOP Length (keyframe interval) in frames or seconds. Must be greater than zero.
GopSizeUnits -> (string)
Indicates if the GOP Size in H265 is specified in frames or seconds. If seconds the system will convert the GOP Size into a frame count at run time.
HrdBufferInitialFillPercentage -> (integer)
Percentage of the buffer that should initially be filled (HRD buffer model).
HrdBufferSize -> (integer)
Size of buffer (HRD buffer model) in bits. For example, enter five megabits as 5000000.
InterlaceMode -> (string)
Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that’s interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
MaxBitrate -> (integer)
Maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. Required when Rate control mode is QVBR.
MinIInterval -> (integer)
Enforces separation between repeated (cadence) I-frames and I-frames inserted by Scene Change Detection. If a scene change I-frame is within I-interval frames of a cadence I-frame, the GOP is shrunk and/or stretched to the scene change I-frame. GOP stretch requires enabling lookahead as well as setting I-interval. The normal cadence resumes for the next GOP. This setting is only used when Scene Change Detect is enabled. Note: Maximum GOP stretch = GOP size + Min-I-interval - 1
NumberBFramesBetweenReferenceFrames -> (integer)
Number of B-frames between reference frames.
NumberReferenceFrames -> (integer)
Number of reference frames to use. The encoder may use more than requested if using B-frames and/or interlaced encoding.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
QvbrSettings -> (structure)
Settings for quality-defined variable bitrate encoding with the H.265 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don’t define Rate control mode.
MaxAverageBitrate -> (integer)
Use this setting only when Rate control mode is QVBR and Quality tuning level is Multi-pass HQ. For Max average bitrate values suited to the complexity of your input video, the service limits the average bitrate of the video part of this output to the value that you choose. That is, the total size of the video element is less than or equal to the value you set multiplied by the number of seconds of encoded output.
QvbrQualityLevel -> (integer)
Required when you use QVBR rate control mode. That is, when you specify qvbrSettings within h265Settings. Specify the general target quality level for this output, from 1 to 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
QvbrQualityLevelFineTune -> (double)
Optional. Specify a value here to set the QVBR quality to a level that is between whole numbers. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33. MediaConvert rounds your QVBR quality level to the nearest third of a whole number. For example, if you set qvbrQualityLevel to 7 and you set qvbrQualityLevelFineTune to .25, your actual QVBR quality level is 7.33.
RateControlMode -> (string)
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or quality-defined variable bitrate (QVBR).
SampleAdaptiveOffsetFilterMode -> (string)
Specify Sample Adaptive Offset (SAO) filter strength. Adaptive mode dynamically selects best strength based on content
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SceneChangeDetect -> (string)
Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
Slices -> (integer)
Number of slices per picture. Must be less than or equal to the number of macroblock rows for progressive pictures, and less than or equal to half the number of macroblock rows for interlaced pictures.
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
SpatialAdaptiveQuantization -> (string)
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
Telecine -> (string)
This field applies only if the Streams > Advanced > Framerate (framerate) field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field (deinterlace_mode) and the Streams > Advanced > Interlaced Mode field (interlace_mode) to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
TemporalAdaptiveQuantization -> (string)
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren’t moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn’t have moving objects with sharp edges, such as sports athletes’ faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
TemporalIds -> (string)
Enables temporal layer identifiers in the encoded bitstream. Up to 3 layers are supported depending on GOP structure: I- and P-frames form one layer, reference B-frames can form a second layer and non-reference b-frames can form a third layer. Decoders can optionally decode only the lower temporal layers to generate a lower frame rate output. For example, given a bitstream with temporal IDs and with b-frames = 1 (i.e. IbPbPb display order), a decoder could decode all the frames for full frame rate output or only the I and P frames (lowest temporal layer) for a half frame rate output.
Tiles -> (string)
Enable use of tiles, allowing horizontal as well as vertical subdivision of the encoded pictures.
UnregisteredSeiTimecode -> (string)
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
WriteMp4PackagingType -> (string)
If the location of parameter set NAL units doesn’t matter in your workflow, ignore this setting. Use this setting only with CMAF or DASH outputs, or with standalone file outputs in an MPEG-4 container (MP4 outputs). Choose HVC1 to mark your output as HVC1. This makes your output compliant with the following specification: ISO IECJTC1 SC29 N13798 Text ISO/IEC FDIS 14496-15 3rd Edition. For these outputs, the service stores parameter set NAL units in the sample headers but not in the samples directly. For MP4 outputs, when you choose HVC1, your output video might not work properly with some downstream systems and video players. The service defaults to marking your output as HEV1. For these outputs, the service writes parameter set NAL units directly into the samples.
Mpeg2Settings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
AdaptiveQuantization -> (string)
Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
Bitrate -> (integer)
Specify the average bitrate in bits per second. Required for VBR and CBR. For MS Smooth outputs, bitrates must be unique when rounded down to the nearest multiple of 1000.
CodecLevel -> (string)
Use Level (Mpeg2CodecLevel) to set the MPEG-2 level for the video output.
CodecProfile -> (string)
Use Profile (Mpeg2CodecProfile) to set the MPEG-2 profile for the video output.
DynamicSubGop -> (string)
Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames (numberBFramesBetweenReferenceFrames).
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopClosedCadence -> (integer)
Frequency of closed GOPs. In streaming applications, it is recommended that this be set to 1 so a decoder joining mid-stream will receive an IDR frame as quickly as possible. Setting this value to 0 will break output segmenting.
GopSize -> (double)
GOP Length (keyframe interval) in frames or seconds. Must be greater than zero.
GopSizeUnits -> (string)
Indicates if the GOP Size in MPEG2 is specified in frames or seconds. If seconds the system will convert the GOP Size into a frame count at run time.
HrdBufferInitialFillPercentage -> (integer)
Percentage of the buffer that should initially be filled (HRD buffer model).
HrdBufferSize -> (integer)
Size of buffer (HRD buffer model) in bits. For example, enter five megabits as 5000000.
InterlaceMode -> (string)
Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that’s interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
IntraDcPrecision -> (string)
Use Intra DC precision (Mpeg2IntraDcPrecision) to set quantization precision for intra-block DC coefficients. If you choose the value auto, the service will automatically select the precision based on the per-frame compression ratio.
MaxBitrate -> (integer)
Maximum bitrate in bits/second. For example, enter five megabits per second as 5000000.
MinIInterval -> (integer)
Enforces separation between repeated (cadence) I-frames and I-frames inserted by Scene Change Detection. If a scene change I-frame is within I-interval frames of a cadence I-frame, the GOP is shrunk and/or stretched to the scene change I-frame. GOP stretch requires enabling lookahead as well as setting I-interval. The normal cadence resumes for the next GOP. This setting is only used when Scene Change Detect is enabled. Note: Maximum GOP stretch = GOP size + Min-I-interval - 1
NumberBFramesBetweenReferenceFrames -> (integer)
Number of B-frames between reference frames.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
RateControlMode -> (string)
Use Rate control mode (Mpeg2RateControlMode) to specify whether the bitrate is variable (vbr) or constant (cbr).
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SceneChangeDetect -> (string)
Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default.
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
Softness -> (integer)
Ignore this setting unless you need to comply with a specification that requires a specific value. If you don’t have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, to use the AWS Elemental default matrices. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
SpatialAdaptiveQuantization -> (string)
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
Syntax -> (string)
Specify whether this output’s video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 (D_10) for your MXF profile (profile), you must also set this value to to D10 (D_10).
Telecine -> (string)
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
TemporalAdaptiveQuantization -> (string)
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren’t moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn’t take into account where the viewer’s attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn’t have moving objects with sharp edges, such as sports athletes’ faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
ProresSettings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
CodecProfile -> (string)
Use Profile (ProResCodecProfile) to specify the type of Apple ProRes codec to use for this output.
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
InterlaceMode -> (string)
Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that’s interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
Telecine -> (string)
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
Vc3Settings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
InterlaceMode -> (string)
Optional. Choose the scan line type for this output. If you don’t specify a value, MediaConvert will create a progressive output.
ScanTypeConversionMode -> (string)
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn’t suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can’t use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
SlowPal -> (string)
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
Telecine -> (string)
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
Vc3Class -> (string)
Specify the VC3 class to choose the quality characteristics for this output. VC3 class, together with the settings Framerate (framerateNumerator and framerateDenominator) and Resolution (height and width), determine your output bitrate. For example, say that your video resolution is 1920x1080 and your framerate is 29.97. Then Class 145 (CLASS_145) gives you an output with a bitrate of approximately 145 Mbps and Class 220 (CLASS_220) gives you and output with a bitrate of approximately 220 Mbps. VC3 class also specifies the color bit depth of your output.
Vp8Settings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
Bitrate -> (integer)
Target bitrate in bits/second. For example, enter five megabits per second as 5000000.
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopSize -> (double)
GOP Length (keyframe interval) in frames. Must be greater than zero.
HrdBufferSize -> (integer)
Optional. Size of buffer (HRD buffer model) in bits. For example, enter five megabits as 5000000.
MaxBitrate -> (integer)
Ignore this setting unless you set qualityTuningLevel to MULTI_PASS. Optional. Specify the maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. The default behavior uses twice the target bitrate as the maximum bitrate.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
RateControlMode -> (string)
With the VP8 codec, you can use only the variable bitrate (VBR) rate control mode.
Vp9Settings -> (structure)
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
Bitrate -> (integer)
Target bitrate in bits/second. For example, enter five megabits per second as 5000000.
FramerateControl -> (string)
If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
FramerateConversionAlgorithm -> (string)
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. We recommend using drop duplicate (DUPLICATE_DROP) for numerically simple conversions, such as 60 fps to 30 fps. For numerically complex conversions, you can use interpolate (INTERPOLATE) to avoid stutter. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence, use FrameFormer (FRAMEFORMER) to do motion-compensated interpolation. FrameFormer chooses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost.
FramerateDenominator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
FramerateNumerator -> (integer)
When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
GopSize -> (double)
GOP Length (keyframe interval) in frames. Must be greater than zero.
HrdBufferSize -> (integer)
Size of buffer (HRD buffer model) in bits. For example, enter five megabits as 5000000.
MaxBitrate -> (integer)
Ignore this setting unless you set qualityTuningLevel to MULTI_PASS. Optional. Specify the maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. The default behavior uses twice the target bitrate as the maximum bitrate.
ParControl -> (string)
Optional. Specify how the service determines the pixel aspect ratio for this output. The default behavior is to use the same pixel aspect ratio as your input video.
ParDenominator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
ParNumerator -> (integer)
Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
QualityTuningLevel -> (string)
Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
RateControlMode -> (string)
With the VP9 codec, you can use only the variable bitrate (VBR) rate control mode.
ColorMetadata -> (string)
Choose Insert (INSERT) for this setting to include color metadata in this output. Choose Ignore (IGNORE) to exclude color metadata from this output. If you don’t specify a value, the service sets this to Insert by default.
Crop -> (structure)
Use Cropping selection (crop) to specify the video area that the service will include in the output video frame.
Height -> (integer)
Height of rectangle in pixels. Specify only even numbers.
Width -> (integer)
Width of rectangle in pixels. Specify only even numbers.
X -> (integer)
The distance, in pixels, between the rectangle and the left edge of the video frame. Specify only even numbers.
Y -> (integer)
The distance, in pixels, between the rectangle and the top edge of the video frame. Specify only even numbers.
DropFrameTimecode -> (string)
Applies only to 29.97 fps outputs. When this feature is enabled, the service will use drop-frame timecode on outputs. If it is not possible to use drop-frame timecode, the system will fall back to non-drop-frame. This setting is enabled by default when Timecode insertion (TimecodeInsertion) is enabled.
FixedAfd -> (integer)
Applies only if you set AFD Signaling(AfdSignaling) to Fixed (FIXED). Use Fixed (FixedAfd) to specify a four-bit AFD value which the service will write on all frames of this video output.
Height -> (integer)
Use the Height (Height) setting to define the video resolution height for this output. Specify in pixels. If you don’t provide a value here, the service will use the input height.
Position -> (structure)
Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black.
Height -> (integer)
Height of rectangle in pixels. Specify only even numbers.
Width -> (integer)
Width of rectangle in pixels. Specify only even numbers.
X -> (integer)
The distance, in pixels, between the rectangle and the left edge of the video frame. Specify only even numbers.
Y -> (integer)
The distance, in pixels, between the rectangle and the top edge of the video frame. Specify only even numbers.
RespondToAfd -> (string)
Use Respond to AFD (RespondToAfd) to specify how the service changes the video itself in response to AFD values in the input. * Choose Respond to clip the input video frame according to the AFD value, input display aspect ratio, and output display aspect ratio. * Choose Passthrough to include the input AFD values. Do not choose this when AfdSignaling is set to (NONE). A preferred implementation of this workflow is to set RespondToAfd to (NONE) and set AfdSignaling to (AUTO). * Choose None to remove all input AFD values from this output.
ScalingBehavior -> (string)
Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio. Choose Stretch to output (STRETCH_TO_OUTPUT) to have the service stretch your video image to fit. Keep the setting Default (DEFAULT) to have the service letterbox your video instead. This setting overrides any value that you specify for the setting Selection placement (position) in this output.
Sharpness -> (integer)
Use Sharpness (Sharpness) setting to specify the strength of anti-aliasing. This setting changes the width of the anti-alias filter kernel used for scaling. Sharpness only applies if your output resolution is different from your input resolution. 0 is the softest setting, 100 the sharpest, and 50 recommended for most content.
TimecodeInsertion -> (string)
Applies only to H.264, H.265, MPEG2, and ProRes outputs. Only enable Timecode insertion when the input frame rate is identical to the output frame rate. To include timecodes in this output, set Timecode insertion (VideoTimecodeInsertion) to PIC_TIMING_SEI. To leave them out, set it to DISABLED. Default is DISABLED. When the service inserts timecodes in an output, by default, it uses any embedded timecodes from the input. If none are present, the service will set the timecode for the first output frame to zero. To change this default behavior, adjust the settings under Timecode configuration (TimecodeConfig). In the console, these settings are located under Job > Job settings > Timecode configuration. Note - Timecode source under input settings (InputTimecodeSource) does not affect the timecodes that are inserted in the output. Source under Job settings > Timecode configuration (TimecodeSource) does.
VideoPreprocessors -> (structure)
Find additional transcoding features under Preprocessors (VideoPreprocessors). Enable the features at each output individually. These features are disabled by default.
ColorCorrector -> (structure)
Enable the Color corrector (ColorCorrector) feature if necessary. Enable or disable this feature for each output individually. This setting is disabled by default.
Brightness -> (integer)
Brightness level.
ColorSpaceConversion -> (string)
Specify the color space you want for this output. The service supports conversion between HDR formats, between SDR formats, from SDR to HDR, and from HDR to SDR. SDR to HDR conversion doesn’t upgrade the dynamic range. The converted video has an HDR format, but visually appears the same as an unconverted output. HDR to SDR conversion uses Elemental tone mapping technology to approximate the outcome of manually regrading from HDR to SDR.
Contrast -> (integer)
Contrast level.
Hdr10Metadata -> (structure)
Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don’t affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion (ColorSpaceConversion) to HDR 10 (FORCE_HDR10), these settings are required. You must set values for Max frame average light level (maxFrameAverageLightLevel) and Max content light level (maxContentLightLevel); these settings don’t have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
BluePrimaryX -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
BluePrimaryY -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
GreenPrimaryX -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
GreenPrimaryY -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
MaxContentLightLevel -> (integer)
Maximum light level among all samples in the coded video sequence, in units of candelas per square meter. This setting doesn’t have a default value; you must specify a value that is suitable for the content.
MaxFrameAverageLightLevel -> (integer)
Maximum average light level of any frame in the coded video sequence, in units of candelas per square meter. This setting doesn’t have a default value; you must specify a value that is suitable for the content.
MaxLuminance -> (integer)
Nominal maximum mastering display luminance in units of of 0.0001 candelas per square meter.
MinLuminance -> (integer)
Nominal minimum mastering display luminance in units of of 0.0001 candelas per square meter
RedPrimaryX -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
RedPrimaryY -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
WhitePointX -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
WhitePointY -> (integer)
HDR Master Display Information must be provided by a color grader, using color grading tools. Range is 0 to 50,000, each increment represents 0.00002 in CIE1931 color coordinate. Note that this setting is not for color correction.
Hue -> (integer)
Hue in degrees.
Saturation -> (integer)
Saturation level.
Deinterlacer -> (structure)
Use Deinterlacer (Deinterlacer) to produce smoother motion and a clearer picture.
Algorithm -> (string)
Only applies when you set Deinterlacer (DeinterlaceMode) to Deinterlace (DEINTERLACE) or Adaptive (ADAPTIVE). Motion adaptive interpolate (INTERPOLATE) produces sharper pictures, while blend (BLEND) produces smoother motion. Use (INTERPOLATE_TICKER) OR (BLEND_TICKER) if your source file includes a ticker, such as a scrolling headline at the bottom of the frame.
Control -> (string)
When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive. It will only convert those that are tagged as some other type. - When set to FORCE_ALL_FRAMES, the deinterlacer converts every frame to progressive - even those that are already tagged as progressive. Turn Force mode on only if there is a good chance that the metadata has tagged frames as progressive when they are not progressive. Do not turn on otherwise; processing frames that are already progressive into progressive will probably result in lower quality video.
Mode -> (string)
Use Deinterlacer (DeinterlaceMode) to choose how the service will do deinterlacing. Default is Deinterlace. - Deinterlace converts interlaced to progressive. - Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p. - Adaptive auto-detects and converts to progressive.
DolbyVision -> (structure)
Enable Dolby Vision feature to produce Dolby Vision compatible video output.
L6Metadata -> (structure)
Use these settings when you set DolbyVisionLevel6Mode to SPECIFY to override the MaxCLL and MaxFALL values in your input with new values.
MaxCll -> (integer)
Maximum Content Light Level. Static HDR metadata that corresponds to the brightest pixel in the entire stream. Measured in nits.
MaxFall -> (integer)
Maximum Frame-Average Light Level. Static HDR metadata that corresponds to the highest frame-average brightness in the entire stream. Measured in nits.
L6Mode -> (string)
Use Dolby Vision Mode to choose how the service will handle Dolby Vision MaxCLL and MaxFALL properies.
Profile -> (string)
In the current MediaConvert implementation, the Dolby Vision profile is always 5 (PROFILE_5). Therefore, all of your inputs must contain Dolby Vision frame interleaved data.
ImageInserter -> (structure)
Enable the Image inserter (ImageInserter) feature to include a graphic overlay on your video. Enable or disable this feature for each output individually. This setting is disabled by default.
InsertableImages -> (list)
Specify the images that you want to overlay on your video. The images must be PNG or TGA files.
(structure)
Settings that specify how your still graphic overlay appears.
Duration -> (integer)
Specify the time, in milliseconds, for the image to remain on the output video. This duration includes fade-in time but not fade-out time.
FadeIn -> (integer)
Specify the length of time, in milliseconds, between the Start time that you specify for the image insertion and the time that the image appears at full opacity. Full opacity is the level that you specify for the opacity setting. If you don’t specify a value for Fade-in, the image will appear abruptly at the overlay start time.
FadeOut -> (integer)
Specify the length of time, in milliseconds, between the end of the time that you have specified for the image overlay Duration and when the overlaid image has faded to total transparency. If you don’t specify a value for Fade-out, the image will disappear abruptly at the end of the inserted image duration.
Height -> (integer)
Specify the height of the inserted image in pixels. If you specify a value that’s larger than the video resolution height, the service will crop your overlaid image to fit. To use the native height of the image, keep this setting blank.
ImageInserterInput -> (string)
Specify the HTTP, HTTPS, or Amazon S3 location of the image that you want to overlay on the video. Use a PNG or TGA file.
ImageX -> (integer)
Specify the distance, in pixels, between the inserted image and the left edge of the video frame. Required for any image overlay that you specify.
ImageY -> (integer)
Specify the distance, in pixels, between the overlaid image and the top edge of the video frame. Required for any image overlay that you specify.
Layer -> (integer)
Specify how overlapping inserted images appear. Images with higher values for Layer appear on top of images with lower values for Layer.
Opacity -> (integer)
Use Opacity (Opacity) to specify how much of the underlying video shows through the inserted image. 0 is transparent and 100 is fully opaque. Default is 50.
StartTime -> (string)
Specify the timecode of the frame that you want the overlay to first appear on. This must be in timecode (HH:MM:SS:FF or HH:MM:SS;FF) format. Remember to take into account your timecode source settings.
Width -> (integer)
Specify the width of the inserted image in pixels. If you specify a value that’s larger than the video resolution width, the service will crop your overlaid image to fit. To use the native width of the image, keep this setting blank.
NoiseReducer -> (structure)
Enable the Noise reducer (NoiseReducer) feature to remove noise from your video output if necessary. Enable or disable this feature for each output individually. This setting is disabled by default.
Filter -> (string)
Use Noise reducer filter (NoiseReducerFilter) to select one of the following spatial image filtering functions. To use this setting, you must also enable Noise reducer (NoiseReducer). * Bilateral preserves edges while reducing noise. * Mean (softest), Gaussian, Lanczos, and Sharpen (sharpest) do convolution filtering. * Conserve does min/max noise reduction. * Spatial does frequency-domain filtering based on JND principles. * Temporal optimizes video quality for complex motion.
FilterSettings -> (structure)
Settings for a noise reducer filter
Strength -> (integer)
Relative strength of noise reducing filter. Higher values produce stronger filtering.
SpatialFilterSettings -> (structure)
Noise reducer filter settings for spatial filter.
PostFilterSharpenStrength -> (integer)
Specify strength of post noise reduction sharpening filter, with 0 disabling the filter and 3 enabling it at maximum strength.
Speed -> (integer)
The speed of the filter, from -2 (lower speed) to 3 (higher speed), with 0 being the nominal value.
Strength -> (integer)
Relative strength of noise reducing filter. Higher values produce stronger filtering.
TemporalFilterSettings -> (structure)
Noise reducer filter settings for temporal filter.
AggressiveMode -> (integer)
Use Aggressive mode for content that has complex motion. Higher values produce stronger temporal filtering. This filters highly complex scenes more aggressively and creates better VQ for low bitrate outputs.
PostTemporalSharpening -> (string)
Optional. When you set Noise reducer (noiseReducer) to Temporal (TEMPORAL), you can use this setting to apply sharpening. The default behavior, Auto (AUTO), allows the transcoder to determine whether to apply filtering, depending on input type and quality. When you set Noise reducer to Temporal, your output bandwidth is reduced. When Post temporal sharpening is also enabled, that bandwidth reduction is smaller.
Speed -> (integer)
The speed of the filter (higher number is faster). Low setting reduces bit rate at the cost of transcode time, high setting improves transcode time at the cost of bit rate.
Strength -> (integer)
Specify the strength of the noise reducing filter on this output. Higher values produce stronger filtering. We recommend the following value ranges, depending on the result that you want: * 0-2 for complexity reduction with minimal sharpness loss * 2-8 for complexity reduction with image preservation * 8-16 for a high level of complexity reduction
PartnerWatermarking -> (structure)
If you work with a third party video watermarking partner, use the group of settings that correspond with your watermarking partner to include watermarks in your output.
NexguardFileMarkerSettings -> (structure)
For forensic video watermarking, MediaConvert supports Nagra NexGuard File Marker watermarking. MediaConvert supports both PreRelease Content (NGPR/G2) and OTT Streaming workflows.
License -> (string)
Use the base64 license string that Nagra provides you. Enter it directly in your JSON job specification or in the console. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
Payload -> (integer)
Specify the payload ID that you want associated with this output. Valid values vary depending on your Nagra NexGuard forensic watermarking workflow. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job. For PreRelease Content (NGPR/G2), specify an integer from 1 through 4,194,303. You must generate a unique ID for each asset you watermark, and keep a record of which ID you have assigned to each asset. Neither Nagra nor MediaConvert keep track of the relationship between output files and your IDs. For OTT Streaming, create two adaptive bitrate (ABR) stacks for each asset. Do this by setting up two output groups. For one output group, set the value of Payload ID (payload) to 0 in every output. For the other output group, set Payload ID (payload) to 1 in every output.
Preset -> (string)
Enter one of the watermarking preset strings that Nagra provides you. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
Strength -> (string)
Optional. Ignore this setting unless Nagra support directs you to specify a value. When you don’t specify a value here, the Nagra NexGuard library uses its default value.
TimecodeBurnin -> (structure)
Timecode burn-in (TimecodeBurnIn)–Burns the output timecode and specified prefix into the output.
FontSize -> (integer)
Use Font Size (FontSize) to set the font size of any burned-in timecode. Valid values are 10, 16, 32, 48.
Position -> (string)
Use Position (Position) under under Timecode burn-in (TimecodeBurnIn) to specify the location the burned-in timecode on output video.
Prefix -> (string)
Use Prefix (Prefix) to place ASCII characters before any burned-in timecode. For example, a prefix of “EZ-” will result in the timecode “EZ-00:00:00:00”. Provide either the characters themselves or the ASCII code equivalents. The supported range of characters is 0x20 through 0x7e. This includes letters, numbers, and all special characters represented on a standard English keyboard.
Width -> (integer)
Use Width (Width) to define the video resolution width, in pixels, for this output. If you don’t provide a value here, the service will use the input width.
Type -> (string)
A preset can be of two types: system or custom. System or built-in preset can’t be modified or deleted by the user.